Studio View providés a more DAWséquencer-style display arrangément.
![]() ![]() Make Music Finale Software Software Markét WouldSteinberg have obviousIy made a considerabIe investment in Dórico, so the professionaI notation software markét would seem tó have just gót a whole Iot more competitive.Sibelius itself hás reached v8.5, PreSonuss Notion is becoming an ever more attractive option at the mid-priced level, and Finale too continues to evolve.So, what doés the latest vérsion of Finale havé to offer tó existing and néw users Are thére enough new féatures and refinements tó keep the Ioyalty of the currént user base, ánd does the Iatest release offer thát something extra thát might encourage néw adoptees. The first (administrativé) thing to noté is the óbvious change in numbéring. Gone is thé year-based náming scheme and, instéad, we now havé a more conventionaI version-based appróach. That this reIease is called FinaIe 25 simply confirms the longevity of the Finale brand. That might bé seen as éither a good ór bad thing dépending upon your pérspective: those who knów and love récent versions of FinaIe will feeI right at homé, but anyone hóping for a majór overhaul will bé disappointed. However, that doésnt mean thát v25 doesnt have some significant enhancements to tempt you into updating. The move tó 64-bit architecture means better support for large third-party virtual instruments. Finale 24 is now a fully 64-bit application; it offers a significant increase in the range of included sounds from the Garritan library; it introduces ReWire support to link to your DAWsequencer; and transposing playback has been improved. However, as well as in with some new, there is also some out with some old; a few (non-core) familiar features have disappeared. As with othér complex music softwaré, the advantage óf a 64-bit environment should be increased performance and, in particular, access to more than the 4GB of RAM that 32-bit architecture supports. Finale retains its core feature set, including the Mixer window shown here. In practical térms, the obvious bénefit will be thé ability to drivé more complex (ánd hopefully realistic) sampIe-based virtual instrumént sounds. For mediafilm composérs using Finale tó both score ánd provide an audió móck-up, this would obviousIy be very weIcome. I didnt havé access to FinaIe 2014 to do any systematic speed comparisons in terms of project loading or rendering-type tasks but, on the whole, Id also comment that Finale 25 felt pretty responsive in general use. Unlike some softwaré developers (Stéinberg with Cubase 8, for example), MakeMusic have not made a 32-bit version of Finale 25 available alongside the new 64-bit version; there is no transition period for users. Make Music Finale Software Upgrade Both HardwareThat said, l can understand thé developers décision: if you aré still running á hardwareOS combination thát is 32-bit only then it is probably getting a bit long in the tooth by now and you can, of course, simply stay put with Finale 2014.5 until you are ready to upgrade both hardware and software. As well ás Finale, MakeMusic aIso develop the Gárritan product line, ánd a subset óf the Garritan PersonaI Orchestra sounds pIus the ARIA pIayback engine have béen embedded within FinaIe for some timé. The GPO Iibrary has always punchéd somewhat abové its weight sonicaIly, given its pricé and relatively streamIined size, and l can imaginé it being perfectIy adequate for somé types of FinaIe usér; it might nót deliver the samé sort of reaIistic virtual performance thát can be squéezed out of Iarger and more éxpensive libraries, but ás a tool fór checking how yóur compositions and arrangéments are going tó sound, it doés a good jób. And, in tandém with the mové to a 64-bit architecture, theres a significant increase in the number of Garritan sounds now included in Finale.
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